Nadav Kander (b. 1961) lives and works in London. Selected past projects include Yangtze – The Long River, winner of the Prix Pictet award in 2009; Dust, which explored the vestiges of the Cold War through the radioactive ruins of secret cities on the border between Kazakhstan and Russia; Bodies. 6 Women, 1 Man, a series of monumental photographic figure studies drawing references from Renaissance sculpture; Dark Line – The Thames Estuary, a reflective exploration of the dark waters of the UK’s storied Thames river; and Obama’s People, an acclaimed 52 portrait series commissioned by the New York Times Magazine. In 2019, Steidl published The Meeting, Kander’s first monograph dedicated to his portraiture.

Kander’s work is housed in several public collections including the National Portrait Gallery, London, UK; The New York Public Library, USA; Museum of Contemporary Photography, Chicago, USA; Marta Herford Museum, Germany; Sheldon Museum, Lincoln, USA; The Frank-Suss Collection, London, New York and Hong Kong; and Statoil Collection, Norway. He has exhibited internationally at venues including Weserburg Museum, Germany; Musée de L’Elysée, Lausanne, Switzerland; Museum of Photographic Arts, San Diego, USA; Museum of Applied Arts, Cologne, Germany; the Barbican Centre, London, UK; The Photographers’ Gallery, London, UK; Somerset House, London, UK; Palais de Tokyo, Paris, France; and Herzliya Museum of Contemporary Art, Israel. Recent fellowships and awards include an Honorary Fellowship Award from the Royal Photographic society and Outstanding Contribution to Photography Award from Sony World Photography Awards.